Selasa, 19 Juni 2012

Daftar nama screamo singer terbaik

Ini adalah beberapa nama scream singer terbaik di indonesia.

1. onadio killims
Nama Panggilan : Onadio / Onad
Band : Killing Me Inside
Posisi : Backin Vokal / Bassist
Agama : Kristen
Influences : Penknifelovelife, These Silhouettes
Equipment : Cort Bass, Soundgear


2. joshapat killims
nama lengkap : joshapat klemens
Nama Panggilan : Josaphat / Josa
Band : Killing Me Inside
Posisi : Guitaris
Tempat/Tgl. Lahir : Bogor, 31 Desember 1987
Equipment : Guitar Cort 300, Zoom Multi Effect
Influences : Drop Dead Gorgeous,Fall of Troy.
Agama : Katholik Christian / Kristen Katholik.
Musik Favorit : Screamo, Power Pop, Other.

3. sansan PWG
nama lengkap : sansan choa
Nama Panggilan : Sansan
Band : Killing Me Inside (Out), Pee Wee Gaskins Stay)
Posisi : Vokal and Scream
Tempat/Tgl Lahir : Jakarta, 07 January 1986
Equipment : Shure Mic x56c
Influences :From First To Last, Bring Me The Horizon.
Agama : Islam
Musik Favorit : Hardcore, Screamo.


4.Raka vierra
nama lengkap : raka cyril Damar
Nama Panggilan : Raka
Tempat/Tgl. Lahir : Jakarta, 16 Agustus 1989
Band : Killing Me Inside (Out), Vierra (Stay)
Posisi : Gitarist
Perguruan Tinggi : Universitas Pelita Harapan
Agama : Islam
Musik Favorit : Screamo, Metal, Power Pop, Other, Pop.
Influences :Chodos, Just Surrender
Equipment :Guitar Paul Reed, Smith SE soapbar, KORG ax 15

5.widi vierra
Nama Panggilan : Widy
Tempat /tanggal Lahir : Jakarta, 8 Mei 1990
Penyanyi Favorit : Demi Lovato
Posisi : Vokal


6.Putro samcotz
nama lengkap : R. P. Satrio puttro
tempat/tanggal lahir : Bogor, 14 mei 1999
Band : "Tidak ada" dia adalah screammer tunggal
agama : KRISTEN Protestant
epiquiment : keyboard, bass.
Influences : breaking the hour, killing me inside
*usianya masih tergolong sangat muda karena masih duduk di bangku SMP
Facebook : putro sajja 




Screamo is a subgenre of hardcore punk which predominantly evolved from emo, among other genres, in the early 1990s. The term "screamo" was initially applied to a more aggressive offshoot of emo that developed in San Diego in 1991, which used short songs that grafted "spastic intensity to willfully experimental dissonance and dynamics."[2] The genre experienced a popularity boost in the late 1990s and early 2000s, and by mid-2000s the over-saturation of the scene encouraged bands to incorporate more experimental elements. Due to the popularity and evolution of the style to a point of being unrecognizable, the term "skramz" is sometimes used to describe bands from the first wave of screamo.

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[edit]Characteristics

Screamo essentially describes a particularly dissonant style of emo influenced by hardcore punk.[3] Screamo uses typical rock instrumentation, but is notable for its brief compositions, chaotic execution, and screaming vocals. The genre is "generally based in the aggressive side of the overarching punk-revival scene."[3] Primary characteristics of the genre are described by Allmusic:[3]
It came to be that the soft/loud dynamic of having either one or two singers who alternate between passionate singing and distraught shrieking that characterizes most screamo. These vocals are often layered or appear side-by-side amid aggressive, hard-hitting guitar licks used to trigger an exhaustive, emotional catharsis. Though the music is outwardly tough and powerful, the lyrics are usually of the introspective kind found in softer emo bands.
In addition to melodic transitions from heavy to soft styles, the genre is also characterized "by frequent shifts in tempo and dynamics and by tension-and-release catharses."[6] Screamed vocals are used "not consistently, but as a kind of crescendo element, a sonic weapon to be trotted out when the music and lyrics reach a particular emotional pitch."[6] Some consider the genre to be a bridge between hardcore punk and emo.[7]

[edit]Conceptual elements

Screamo lyrics often feature topics such as emotional pain, romantic interest, feminism, politics, and human rights.[8] The New York Times noted that "part of the music's appeal is its un-self-conscious acceptance of differences, respect for otherness." Some screamo bands openly demonstrate acceptance of religious, nonreligious, straight edge, and homosexual lifestyles.[6]
Many screamo bands in the 1990s saw themselves as implicitly political, and as a reaction against the turn to the right embodied by California politicians, such as Roger Hedgecock.[9] Some groups were also unusually theoretical in inspiration: Angel Hair citedsurrealist writers Antonin Artaud and Georges Bataille,[2] and Orchid lyrically name-checked French new wave icon Anna Karina, German philosopher Friedrich Nietzsche, French philosopher Michel Foucault, and critical theory originators the Frankfurt School.[10]

[edit]History

[edit]Origins (early 1990s–early 2000s)

The term screamo is applied to a music genre that began in 1991, in San Diego, at the Ché Café,[11] with groups such as Heroin,Antioch Arrow,[12] Angel Hair, MohinderSwing Kids, and Portraits of Past.[13] These groups were influenced by post-hardcore bands from Washington D.C., particularly Fugazi and Nation of Ulysses,[2] straight edge, the Chicago group Articles of Faith, the hardcore punk band Die Kreuzen,[14] and post-punk, such as Joy Division[15] and Bauhaus.[2] Some early screamo bands such as Farincorporated elements of alternative rock.[16]
Gravity Records[14][17] and Ebullition Records[13] released this more chaotic and expressive style of hardcore. The scene is noted for its distinctive fashion sense, inspired by mod culture.[9] Much as the term "emo" is, the term "screamo" has always been controversial in the scene.[2]
The innovations of the San Diego scene eventually spread elsewhere, such as to the Seattle group The Blood Brothers.[18] Many groups from the East Coast were influential in the continual development and reinvention of the style, including Orchid,[19][20] Circle Takes the SquarePg. 99Hot CrossSaetia,[21] Ampere,[22] and City of Caterpillar.[3] The Canadian band Grade is also known for aiding the genre's early development.[23]

[edit]Contemporary screamo (2000s–present)

Alexisonfire performing live in 2007
By 1995, the genre name "screamo" drifted into the music press, especially in the journalism of Jim DeRogatis and Andy Greenwald,[8] and by the mid-2000s, the over-saturation of the screamo scene had caused many bands to purposefully expand past the genre's trademarks and incorporate more experimental elements.[3] Some bands that formed in North America during the late 1990s and remained active throughout the 2000s, such as Thursday,AlexisonfirePoison the Well, and The Used made screamo much more popular.[3][24]Thursday cited the post-punk band Joy Division, and the post-hardcore band Fugazi as important influences, but also took cues from the alternative rock of RadioheadU2, and The Cure.[25][26] Many of these bands took influence from the likes of RefusedAt the Drive-In,[3]and Keepsake. In contrast to the DIY first-wave screamo groups, Thursday and The Used have signed multi-album contracts with labels such as Island Def Jam and Reprise Records.[27]
Hawthorne Heights and Story of the Year, two bands frequently featured on MTV, have been noted for their popularization of contemporary screamo,[3] although both have since made stylistic changes.[28][29] Other active American screamo acts includeComadre,[30] Off MinorMen As Trees,[31] Senses Fail,[32][33] Sleeping with Sirens,[34] and Vendetta Red.[3] The contemporary screamo scene is also particularly active in Europe, with bands such as Funeral For a Friend,[35] Amanda Woodward,[36] Louise Cyphre,[37] Le Pré Où Je Suis Mort,[38] La Quiete, and Raein all being prime examples of their scene.

[edit]Influence on other styles

"Emo violence" is a term used to describe a fusion of screamo, emo and powerviolence. The name was coined half-jokingly byIn/Humanity.[39] Recognisable elements of emo violence are its incorporation of amplified feedback and blast beats; the music is highly dissonant and chaotic, generally featuring fast tempos, shouting, and screamed vocals.[40][41] Emo violence practitioners include Pg. 99Orchid,[42] Reversal of Man,[42] Agna Moraine, RentAmerica,[41] and In/Humanity.[39][43]
Some screamo groups, such as Orchid, Reversal of Man, and Circle Takes the Square tend to be much closer to grindcore than their forebears.[42][44] Other screamo acts have often incorporated post-rock into their music. This fusion is characterized by abrupt changes in pace, atmospheric, harmonic instrumentation, and low-volume vocals.[45][46] Pianos Become the Teeth,[47] City of CaterpillarEnvy,Funeral Diner, and Le Pre Ou Je Suis Mort[38][45] are examples of post-rock influenced screamo acts.
Other screamo-influenced genres include crunkcore and Nintendocore. Crunkcore combines screamo with crunk hip hop and various electronic elements.[48] Nintendocore, a term coined by Horse the Band, describes a music genre that fuses elements of modern rock with video game musicchiptunes, and 8-bit music.[49][50][51] It is considered a derivative form of screamo,[51] post-hardcore[49] and metalcore.[52][53] Nintendocore borrows many characteristic of screamo, such as screamed vocals and unpredictable rhythms.[49]

[edit]Vagueness of the term "screamo"

While the genre was developing in the early 1990s, the term "screamo" was not used.[13] Chris Taylor, lead vocalist for the band Pg. 99, said "we never liked that whole screamo thing. Even during our existence, we tried to venture away from the fashion and tell people, "Hey, this is punk."[54] Jonathan Dee of The New York Times wrote that the term "tends to bring a scornful laugh from the bands themselves."[6] Lars Gotrich of NPR Music made the following comment on the matter:[54]
The screamo scene [has] change[d] a lot in the last 10 years. There used to be more creative bands like Circle Takes the Square and City of Caterpillar. And then it took this route where screamo got really streamlined and unrecognizable to the point where someone hilariously invented the term "skramz" to distinguish the first wave of screamo bands.
Allmusic has noted that the term "screamo" can sometimes be vague, and that even bands that weren’t necessarily screamo would often use the style's characteristic guttural vocal style.[3] Derek Miller, guitarist for the band Poison the Well noted the term's constant differing usages and jokingly stated that it "describes a thousand different genres."[55] According to Jeff Mitchell of Iowa State Daily, "there is no set definition of what screamo sounds like but screaming over once deafeningly loud rocking noise and suddenly quiet, melodic guitar lines is a theme commonly affiliated with the genre."[56] Bert McCracken, lead singer of The Used, stated that "screamo" is merely a term "for record companies to sell records and for record stores to categorize them."[57] Juan Gabe, vocalist for the bandComadre, alleged that the term "has been kind of tainted in a way, especially in the States